Jo Keppel

Jo Keppel

Jo Keppel

Jo is another artist I found on one of my website meanderings.  I first met her via the West Coast Art in the Park website. When I found Jo’s website I was delighted to see photos showcasing the full range of her talent. Jo emailed me tonight, “my five (to celebrate Bellamys at Five) little mixed media pics are nearly ready to send, based on my chosen poem. Should be ready in a week or two.”  One of my poems appeared in the Poems in the Waiting Room poetry cards four years ago and what Jo doesn’t know, well she will when she reads this, is that the poem she chose was mine. Thanks Jo!

Introducing Jo Keppel

I am a “recovering” secondary schoolteacher, now returned to journalism and living in the Ahaura Valley on the South Island West Coast. Home is a lifestyle block next to Mt Eliot which is almost at the Main Divide and there is a towering moody waterfall tumbling down at the front gate.

I started as a journalist at The Evening Star in Dunedin and studied at Otago University. Later, I taught English and art at secondary schools in Oamaru and Reefton (for nearly 30 years) and have worked on newspapers and magazines also in Oamaru, Christchurch and in Greymouth (totalling more than 16 years). I still work full-time so my snatched art sessions mean I work quickly in my evenings and weekends, producing mainly series of small works in ink and wash, collage, monoprinted, or in acrylic paint – or all of these.

My main job now is writing the articles for The West Coast Messenger but I also do art profiles for the Greymouth Star and I meet many artists through the West Coast Society of Arts and at events like the annual Art in the Park which I have exhibited at successfully for five years.

Nevermore

Nevermore

My surroundings are always an inspiration as is language. I have always been very involved with language in my “day jobs” and enjoy exploring levels of meaning, symbols, associations, humour and word plays and combining these with visual imagery.

Producing work for coming exhibitions and some small commissions, or just because I want to experiment with some new techniques and ideas, means that I am always working on something “arty”. My first solo exhibition in Greymouth was called The Other Side of “Away”. West Coasters speak of anywhere except the West Coast as Away, so the other side of Away was, of course, the West Coast, and the small paintings and ink drawings recalled the many tracks I’ve walked on the Coast to little waterfalls, mountain tarns or elevated views, among the shadowy legions of rugged bush-covered mountains.

Ancient rumours- Wanton Reactions1

Ancient rumours- Wanton Reactions

I think all of one’s experience influence art and writing. My overseas travel has taken in ancient sites in places like Peru, Easter Island and Turkey and I have always been interested in ethnic art and crafts, while horticulture, entomology and botany are other interests which keep throwing up images into my art.

dry bones

Dry bones

I am always brimming with ideas for new projects and fill notebooks with ideas to get to eventually. I am constantly exploring and experimenting and thinking, “what else?” and “what next?” My work is quite intuitive and mostly semi-abstract rather than representational, produced in silence or with the “quiet music” of the country (waterfall, birds, wind sounds).

My aim is to produce small works which are affordable and accessible to people who enjoy having them to look at in their homes and feel cheered by them. I am proud that many people buy my works for the fun in them and the quirky thought-provoking images and titles.

Temporary faces

Temporary faces

I like solo exhibitions where I can present the development of a theme or idea but also collaborative shows where I can see my work in the context of others’ and I always enjoy looking at other artists’ work and talking to them about it. I am delighted to be contributing to the Poems in the Waiting Room exhibition, a wonderful project. Poetry provides me with an opportunity to explore levels of meaning and associations, linking the poet’s language and visual images. I feel most honoured to add my visual input to another’s inspirational poetry and hope the poet feels I have done justice.

Touchy Feelers at LBAG

Touchy Feelers at LBAG

These Touchy Feelers were in a fibre exhibition called The F Word at the Left Bank Gallery in Greymouth.  They all have individual names starting with F and can be viewed on my website under Fibre folio.

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4 Responses to Jo Keppel

  1. Joe Lauren says:

    Excitingly varied and multi-faceted work with the touch of quirky. Very appealing.
    Joe

  2. Rod Dowling says:

    Like a good book or movie, one wants to go back to the work as there is always more there
    Rod D

  3. Julienne lindsay says:

    Great work Jo – congratulations Julienne Lindsay

  4. Elizabeth Will says:

    Mrs Keppel was my English teacher at Waitaki Girls’ High School, Oamaru. I didn’t realise she was such a brilliant artist! Fantastic.

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